过去五年
杰森·罗伯特·布朗
SOUTHWARK PLAYHOUSE
投掷
奥利·希金森，莫莉·林奇
Director
编舞
套装和服装设计师
灯光设计师
声音设计师
副舞台经理
助理舞台经理
衣柜主管
助理设计师
生产经理
制作者
拍摄者
乔纳森·奥博伊尔
山姆·斯宾塞-莱恩
李纽比
杰米普拉特
Adam Fisher
Lara Mattison
格蕾丝·柯里
杰西卡·理查森-史密斯
塔卢拉卡斯基
詹姆斯安德顿
凯蒂·利普森
咏叹调娱乐
DLAP
艾琳戴维森
海伦·梅班克斯
舞台
★★★★★
Lee Newby’s designs deliver pungent period detail: a crumbling, two-storey cross section of the house exposes mildew and peeling wallpaper, the girls’ bedroom with its posters of David Essex and Starsky and Hutch, and Top of the Pops on the black-and-white television in the lounge. Janet’s scarlet nightie, memorable from the famous photograph of her ‘levitation’, is a visual motif, bright among the beige and grey.
THE STAGE
★
The set designed by Lee Newby, as if the family's house had been ripped open for us to peer into brings the right air of menace
THE EVENING STANDARD
★★
The greatest thing about The Enfield Haunting is undoubtedly in the visual aspect, with Lee Newby delivering a truly sensational set design painstakingly crafting both an upstairs and downstairs of the Hodgson’s home. This design helped retain your attention as your eyes darted across both levels to ensure you weren’t missing the next trick. It is just a shame such a fantastic design wasn’t utilised for a stronger show. Similarly, Neil Austin’s lighting was used to great effect with the inevitable blackouts leading to an eerie aesthetic as parts of the stage are left in darkness sporadically. The strong design aspects are completed by Carolyn Downing’s sound design, allowing for an atmospheric setting.
ALL THAT DAZZLES
★★